![]() Paper presented at the Jan van Eijk Akademie, Maastricht. Man, nation & machine: The otaku answer to pressing problems of the media society. Science Fiction Studies, 88(29.3), available at. Released in North America by SoftCel Pictures. ![]() Central Park Media Corporation, 1995.įukumoto, K. Central Park Media Corporation, 1994.įukuda, J., et al. Berkeley, CA: Stone Bridge Press.įujimoto, Y. The anime encyclopedia: A guide to Japanese animation since 1917. ![]() Minneapolis: University of Minnesota Press.Ĭlements, J., & McCarthy, H. Penguin in bondage: A graphic tale of Japanese comic books. Edinburgh, Scotland: Edinburgh University Press.īuckley, S. Anime horror and its audience: 3 × 3 eyes and Vampire Princess Miyu. Positions: East Asia Cultures Critique, 10(3), 729–771.īolton, C. From wooden cyborgs to celluloid souls: Mechanical bodies in anime and Japanese puppet theater. Permitted and prohibited desires: Mothers, comics, and censorship in Japan. Also, when addressing the particularities of pornographic material, I will circumscribe myself to the categories of “soft-core” and “hard-core” as generally understood in contemporary North America: mainly, sexual suggestiveness and nudity for the first, explicit forms of intercourse and graphic fetishistic sexual activity for the second.Īkan, M. Censure in Japan operates differently than in the Euro-American West (see, for example, Allison 1996, especially Chapters 3 and 7 Buckley 1991), and the country’s specific social and legal history is beyond the scope of this paper (in this particular, Perper and Cornog 2002, provide a general, historical framework that traces the sources of erotic depictions in manga, or Japanese comics, and is equally applicable to erotic anime). Throughout this paper, I use the terms “pornography” and “pornographic” in a limited sense: that which depicts (either literally or metonymically) sexual acts nominally deemed private and is specifically marketed as an aid in the process of sexual arousal. ![]()
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